17,324 Royalty-Free Audio Tracks for "Audio Files Of Musical Chords"

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

C triad open position.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

E5 power chord in eighth notes. Created by Hyacinth (talk) 12:48, 2 July 2009 in Sibelius 5 set on "electric guitar" triple forte.

Minor major sixth chord on C.

Minor chord on C

Mu major chord on C. Created by Hyacinth (talk) 21:52, 9 November 2009 using Sibelius 5.

G major chord, root in red.

Mu chord on G. Created by Hyacinth (talk) 00:08, 9 November 2009 using Sibelius 5.

Mu chord on E, for guitar. Created by Hyacinth (talk) 22:45, 22 December 2011 (UTC) using Sibelius 5.

Dominant eleventh without third.

Seven six chord on C (C7/6). Created by Hyacinth (talk) 15:53, 26 June 2011 (UTC) using Sibelius 5.

Dominant ninth chord on C.

D chord in all fourths tuning.

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

Dominant eleventh chord in four-part writing.

German sixth equals dominant seventh

Major triad on C in first inversion.

D-over-F-sharp slash chord.

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

Thirteenth chord CMA13(sharp11).

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Dominant ninth chord in fourth inversion: G,A,C,E♭,F. It then resolves to I: B♭, D, F.

Major seventh chord on F.

Diminished seventh chord on C

Seventh augmented fifth chord on C.

Seventh suspension four chord on C. Created by Hyacinth (talk) 20:28, 31 May 2011 (UTC) using Sibelius 5.

G7alt chord.

Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.

Half-diminished seventh chord on supertonic in C minor.

Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.

Common-chord modulation in Tchaikovsky, Mazurka Op. 39, No. 10.

Euler-Fokker genus on C. 1/1, 9/8, 21/16, 3/2, 7/4, 63/32. C, D, F+, G, B♭, C+.

An A major scale in Music.

Tout d'abord un la pur. Se rajoute un autre la, un comma pythagoricien au-dessus. On entend des battements.

Diatonic major scale in 12 tone equal temperament

Tritonus f'h' aufwärts zusammen abwärts Akkord Frequenzen Frequenzverhältnis in Cent f' ,h' 352 495 45/35 590,2237 Tonbezeichnung nach https://de.wikipedia.org/wiki/Eulersches_Tonnetz

Eleventh chord diatonic on C.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

Created by Hyacinth (talk) using Sibelius.

Lydian chord on C.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Fifteenth chord from Schoenberg on C

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Minor triad on C